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Wednesday, October 7, 2026

Teacher Practice Guidance for students and parents

 Teacher’s Practice Guidance

Developing Effective and Purposeful Practice Habits

1. The Purpose of Daily Practice

Regular practice is an essential part of learning an instrument. Consistent daily practice allows students to reinforce what they have learned during lessons, develop coordination and muscle memory, improve note reading, strengthen technical skills, and build confidence.

However, the quality of practice is more important than simply the amount of time spent practising.

The goal is not merely to “finish practising”, but to make meaningful progress during each practice session.

Practise consistently, but practise with purpose.




2. Why Correct Practice Matters

When a student repeatedly plays something incorrectly, the incorrect movement, note, rhythm or fingering can become a habit.

Therefore, students should learn to stop, identify the problem, correct it, and then repeat it accurately.

Effective practice involves active listening and thinking. Students should not simply allow their fingers to continue playing automatically. They should ask themselves:

  • What am I trying to improve?
  • Where am I making mistakes?
  • What is causing the difficulty?
  • Am I using the correct fingering?
  • Is my rhythm steady?
  • Am I playing the correct notes?
  • Is my posture and hand position appropriate?
  • Am I producing the sound and musical expression that I want?

This develops students into independent and thoughtful learners.




3. A Practical Practice Strategy

Students are encouraged to follow a simple process:

Identify → Isolate → Slow Down → Correct → Repeat → Connect → Reflect

1. Identify
 Locate the specific section, skill, rhythm, note or technique that requires attention.

2. Isolate
 Work on the difficult section rather than repeatedly playing the entire piece from beginning to end.

3. Slow Down
 Practise at a comfortable tempo that allows accurate playing. Speed should come after control and accuracy.

4. Correct
 Check the notes, fingering, rhythm, articulation, dynamics, posture and technique.

5. Repeat Correctly
 Repeat the corrected movement several times so that accuracy becomes more secure and natural.

6. Connect
 Gradually combine the small sections and increase the tempo when appropriate.

7. Reflect
 At the end of the practice session, consider:

What have I improved today? What still needs attention tomorrow?




4. Practice Quality Over Practice Quantity

Long practice sessions do not necessarily produce better results.

A student who spends 20 minutes practising with concentration and a clear objective may achieve more than a student who spends an hour repeatedly playing without identifying what needs improvement.

Students should therefore focus on:

Focused practice + Correct practice + Consistent practice = Meaningful progress

Even a short practice session can be productive when the student has a clear goal.




5. Developing the Right Attitude

Music education is not only about learning pieces. It is also about developing important lifelong qualities.

Students are encouraged to develop:

  • Discipline – maintaining a regular practice routine.
  • Patience – understanding that some skills take time to develop.
  • Perseverance – continuing even when something is difficult.
  • Concentration – staying mentally engaged during practice.
  • Self-awareness – recognising personal strengths and weaknesses.
  • Problem-solving skills – finding ways to overcome difficulties.
  • Confidence – recognising progress through consistent effort.

Mistakes should not be viewed simply as failures. They provide useful information about what needs to be improved next.




6. What Students Should Do at Home

Before practising, students should know what they are working towards.

A productive practice session may include:

Warm-up / Technique
 Work on assigned technical exercises, scales, patterns or coordination skills.

New Learning
 Review newly introduced notes, rhythms, fingering or musical concepts.

Problem-Solving
 Spend focused time on difficult passages rather than avoiding them.

Repertoire
 Practise assigned pieces slowly and accurately before working towards performance tempo.

Review
 Play through previously learned material and check whether skills remain secure.

Reflection
 Identify one or two specific things to improve during the next practice session.




7. The Role of Parents

Parents do not need to become the music teacher at home. Their most important role is to support consistency and encourage a positive practice environment.

Parents can ask:

“What are you working on today?”

or

“Which part are you trying to improve?”

Instead of only asking:

“Have you practised?”

This encourages children to think about the purpose and quality of their practice, rather than viewing practice simply as a task that needs to be completed.




8. The Long-Term Goal

The ultimate goal is to help students become increasingly independent learners.

As students progress, they should gradually learn to recognise a problem, understand why it is happening, choose an appropriate practice strategy, and evaluate their own improvement.

This is an important part of becoming not only a better pianist, but also a more disciplined, resilient and thoughtful learner.

Remember:

Don’t just repeat. Listen. Think. Correct. Practise. Improve.

Learning music is not simply about interest or talent; it is a journey that develops through discipline, perseverance and purposeful practice.


Thursday, October 1, 2026

Way Maker piano easy

Today, I met Isabella, a 9-year-old girl who came for a piano trial lesson. Isabella is already learning piano from another teacher, but she has been asking herself, “Why am I playing pieces that I don’t enjoy?”

What she really wants is to play Christian and worship music. She had even considered stopping piano lessons because her current teacher does not teach worship pieces. Her mother, hoping that Isabella can continue her piano journey, came to look for a teacher who could guide her in learning the music she truly loves.

During the trial lesson, I discovered that Isabella cannot yet read chord symbols. When the notes are not written out for her, she is unsure of what to play. Another challenge is that there are limited worship piano books available, especially for newer worship songs. So, in this case, I know I will need to work things out and find creative ways to help her learn the music she desires to play.

It will certainly be a challenge, but I hope I can do it.

More than simply teaching Isabella how to play the piano, I hope to help her discover the joy of using her musical gift to worship God. My prayer is that Jesus will grant me the strength, wisdom, and patience to guide this young soul—to help her love playing the piano, enjoy worshipping Him, and use her talent to glorify Him.

May this be the beginning of a beautiful musical and spiritual journey for Isabella. ♡

The first piece she wants to learn is Way Maker in A major and C major.


Wednesday, September 9, 2026

孩子不练琴,到底该不该继续学?

刚在IG 看到 ruoyanma_nutrition 发的一则帖子标题:老师说孩子有天分,但在家却死不练琴。。。是不是在骗我的学费?

在她的分享里说到: 

老师说孩子有天份,但在家却死不练琴。。。是不是在骗我学费? 

其实,初期练琴本来就是「违反人性」的! 

听音乐会产生多巴胺,但初期的 「音阶与基本功」对大脑来说是 极度枯燥 的重复劳动。孩子卡住,是因为大脑还没熬过无聊期,绝对不是每天份!

看着孩子爱练不练,我们忍不住发火。。。 

其实,是我们巴小时候被逼着练琴的“痛苦经历”代入了。 

承认吧~自己也曾不练琴偷跑去看电视,电视发烫被家长发现痛骂一顿的经验!

既然这么痛苦,到底为什么还要学音乐? 

“难道花大钱,就必须培养出下一个朗朗后周杰伦吗?”


音乐家的定义,跟你想的完全不一样。 

殿堂级演奏家 (极少数的天才与无尽苦练)

音乐相关产业 (自媒体创作者、艺文行政、老师) 

一辈子的音乐爱好者 (能在社区中秋晚会露一手,也超有成就感!)


除了演奏,学音乐其实是在默默点击 

「隐藏技能树」:

同理心UP。学会诠释乐曲,更容易感受他人的情绪与弦外之音。

大脑开发。左右手协调互搏,最顶级的脑力体操,老了还能防失智!

AI 无法取代。真人演奏的“不完美与情感”,是科技永远学不来的。


那该怎么陪练? 

解法 一:别急着逼,先点燃兴趣的火苗。带孩子去听“儿童友善”的音乐节!(不怕哭闹、可以走动、搭配故事)。 先让他们觉得「音乐好好听」,动力才会自己长出来。

解法二:亲子关系快爆炸时,容许「战略性撤退」。

    • 逃避虽然可耻但有用。今天练得太痛苦?那就先停下来做点别的事。
    • 绕点路,不代表走不回原来的路。

解法三:大人亲自下水,体会「左右手互搏」有多难。当你发现自己也弹得乱七八糟时,你会对孩子多出100倍的同理心。 练琴很孤独,陪着他一起经历痛病快乐着吧!

我们不是在逼出一个音乐家,而是在送他一个「拿不走的宝藏」。 当他未来倍社会毒打时,音乐会是他一辈子最安全的避风港。


有感而言。。。


学习任何一项技能,都需要耐心。兴趣固然重要,但纪律和坚持往往更加重要。


在孩子成长的过程中,我们不妨加入一些这样的“锻炼”。每一次接触新的曲谱,都意味着要从零开始:重新认识音符、节奏、技巧,再一步一步把它弹好。


大家想一想,这究竟是在锻炼什么?


锻炼的,不只是音乐能力,而是孩子的坚毅、耐心和坚持。让他们学会面对陌生的东西时不轻易放弃,遇到困难时愿意再试一次、再坚持一下。


他们不一定要成为音乐人。我的学生当中,也有人后来成为出色的律师,但他们依然能够把钢琴弹得很好。因为小时候学习钢琴所培养的,并不只是琴技,更是专注力、自律,以及坚持把一件事情做好的能力。


这些能力,往往会陪伴孩子一生。

Thursday, July 16, 2026

Entrance to Infinity Castle Easy Piano

Kaius requested Entrance to Infinity Castle as his next piano piece, hoping to challenge himself with music he genuinely enjoys. To encourage his enthusiasm and keep him motivated to practice, I created a simplified arrangement that captures the essence of the original while making it more accessible for his current playing level.

Entrance to Infinity Castle easy piano


Download Entrance to Infinity Castle easy piano sheet PDF


Monday, May 11, 2026

Ephesians 5:2

 







A surprised Mother’s Day gift from Gab, Pizza and Moomoo, it warms my heart very much.

“and walk in the way of love, just as Christ loved us and gave himself up for us as a fragrant offering and sacrifice to God.” Ephesians 5:2


Friday, May 8, 2026

The Tea That Is Not the Same Anymore

 



“Ting ting ting ting ting…”


I used to wake up every morning to the sound of a spoon hitting against a mug. My late dad would stir his tea with such determination, as if the harder he stirred, the more extraordinary the tea would taste. He loved making Hainanese Teh Kao — thick, strong tea with milk.


I loved tea too.


But lately, without even realizing it, two tea bags no longer give me the omph they used to. The colour looks lighter now, weaker somehow compared to the tea we once had. Today, I took the tea bags out and glanced at them carefully. They did not look as full or bulging as before.


Sigh…


Prices keep going up again and again, yet the amount of tea inside each bag keeps getting lesser. What kind of business logic is this?


Well… I know the answer.


More profit.


Still, somehow, it feels like more than just tea has changed. Maybe it is the taste of old mornings that can never quite be repeated again.


Tuesday, March 3, 2026

On Communication, Assumptions, and Finding Better Ways to Work Together

Alex dropped by this evening for a quick conversation regarding an issue that came up last week. It was one of those discussions that felt important, though perhaps a little unexpected.

He mentioned that he had heard I was unhappy with the company. I was honestly surprised, as I wasn’t aware that such an impression had formed. Instead of responding emotionally, I asked for clarification to better understand what he was referring to.

He shared that he had noticed some exchanges in the teachers’ group chat and felt concerned about the tone and the topic — particularly discussions about scheduling arrangements and overtime for trial lessons. He emphasized that management hopes teachers can remain flexible at times, as arranging trial lessons can occasionally require slight adjustments beyond scheduled hours. He also reminded me that if there are concerns, it would be best to communicate them directly rather than in group settings.

He brought up a past incident where a teacher left and several students followed, which resulted in legal action due to studio policy. I understood that this example was shared to reinforce how seriously the studio views its policies and professional boundaries.

From his perspective, I believe the intention was to maintain harmony and protect the studio’s operations.

From my perspective, the situation that triggered this discussion had actually already been resolved. I had spoken with Ms. Liew directly, and we were able to make a small adjustment to settle the matter amicably. That’s why the intensity of the follow-up conversation felt somewhat unexpected.

This experience made me reflect on how easily misunderstandings can arise when context isn’t fully explored first. Sometimes, what may appear as dissatisfaction or being “calculative” could simply be an attempt to maintain clarity around time commitments and expectations. As teachers, we naturally value professionalism — and that includes clear communication about schedules.

It also reminded me of last year’s summer recital, which spanned two full days over the weekend. I genuinely appreciated that the studio granted two additional leave days afterward. During the recital, however, I stepped away briefly for a restroom break and received a message asking about my whereabouts and reminding me to remain in the hall at all times. While I understood the importance of being present during events, it also highlighted how delicate the balance can be between accountability and personal space.

Overall, I don’t see these moments as major conflicts, but rather as reminders of how important communication style and mutual understanding are in any organization. Structure and policies are necessary — especially in educational environments — but so is trust.

Perhaps the real takeaway for me is this: when concerns arise, early clarification and open dialogue can prevent assumptions from forming. With clearer communication on both sides, small issues can remain small, and working relationships can grow stronger.

At the end of the day, we all want the same thing — a professional, supportive environment where both the studio and its teachers feel respected.

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