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Tuesday, March 3, 2026

On Communication, Assumptions, and Finding Better Ways to Work Together

Alex dropped by this evening for a quick conversation regarding an issue that came up last week. It was one of those discussions that felt important, though perhaps a little unexpected.

He mentioned that he had heard I was unhappy with the company. I was honestly surprised, as I wasn’t aware that such an impression had formed. Instead of responding emotionally, I asked for clarification to better understand what he was referring to.

He shared that he had noticed some exchanges in the teachers’ group chat and felt concerned about the tone and the topic — particularly discussions about scheduling arrangements and overtime for trial lessons. He emphasized that management hopes teachers can remain flexible at times, as arranging trial lessons can occasionally require slight adjustments beyond scheduled hours. He also reminded me that if there are concerns, it would be best to communicate them directly rather than in group settings.

He brought up a past incident where a teacher left and several students followed, which resulted in legal action due to studio policy. I understood that this example was shared to reinforce how seriously the studio views its policies and professional boundaries.

From his perspective, I believe the intention was to maintain harmony and protect the studio’s operations.

From my perspective, the situation that triggered this discussion had actually already been resolved. I had spoken with Ms. Liew directly, and we were able to make a small adjustment to settle the matter amicably. That’s why the intensity of the follow-up conversation felt somewhat unexpected.

This experience made me reflect on how easily misunderstandings can arise when context isn’t fully explored first. Sometimes, what may appear as dissatisfaction or being “calculative” could simply be an attempt to maintain clarity around time commitments and expectations. As teachers, we naturally value professionalism — and that includes clear communication about schedules.

It also reminded me of last year’s summer recital, which spanned two full days over the weekend. I genuinely appreciated that the studio granted two additional leave days afterward. During the recital, however, I stepped away briefly for a restroom break and received a message asking about my whereabouts and reminding me to remain in the hall at all times. While I understood the importance of being present during events, it also highlighted how delicate the balance can be between accountability and personal space.

Overall, I don’t see these moments as major conflicts, but rather as reminders of how important communication style and mutual understanding are in any organization. Structure and policies are necessary — especially in educational environments — but so is trust.

Perhaps the real takeaway for me is this: when concerns arise, early clarification and open dialogue can prevent assumptions from forming. With clearer communication on both sides, small issues can remain small, and working relationships can grow stronger.

At the end of the day, we all want the same thing — a professional, supportive environment where both the studio and its teachers feel respected.

Thursday, February 5, 2026

One Summer's Day Piano Duet

From Solo to Duet: Turning “One Summer's Day” into a Shared Musical Moment

This piece came to life because of a student’s simple request.

After she had fully mastered Golden, she asked what she could play next. Around the same time, both she and her sister were constantly humming the tune whenever they came to lessons. It was clear that this music had already become part of their everyday lives, not just something on the page.

I already had the score for the piano solo, but then another thought crossed my mind. Since both sisters play the piano, why not turn this piece into a piano duet? Instead of one person playing while the other listens, they could sit side by side, sharing the melody, the rhythm, and the joy of making music together.

So I decided to convert the solo into a duet arrangement. The goal was simple: to make the piece fun, collaborative, and musically meaningful for them. At the same time, it allowed me to add a new arrangement to my library—one that carries a personal story behind it.

What started as a student’s question became a small creative project, and more importantly, an opportunity for two siblings to connect through music. Moments like these are a reminder of why teaching and arranging music can be so rewarding: every piece can grow, change, and create new memories.

Here they are. 

One Summer's Day Piano Duet, music by Joe Hisaishi. 














Saturday, December 20, 2025

真相不出 我们不散

 

于朦胧能够独自一个人面对每一天的虐待,坚持12年就是希望把真相全盘托出不要再有下一个他被杀,我们的坚持是对他的敬佩,真相不出,我们不散。

Alan Yu MengLong was able to endure the daily abuse alone for 12 years, hoping to reveal the whole truth and prevent another person from being killed. Our persistence is out of respect for him. We will not disperse until the truth is revealed.

Thursday, December 4, 2025

You've Got A Friend In Me Piano Duet pdf

This piece has an interesting journey behind it.

It was originally chosen by the student’s previous teacher, and when the student brought it to me, she mentioned that it was meant to be a duet. However, after taking a closer look at the photocopied score, I realized something wasn’t quite right. The so-called “second part” wasn’t actually a duet part at all—it lacked the structure and musical independence a true duet requires.

Rather than abandoning the idea, I decided to rework it properly. I began by searching for the underlying chord progression and then wrote a genuine second part that would complement the original melody and create a balanced musical conversation between the two players.

With the new duet part in place, the piece finally became what it was meant to be. After rehearsing and refining it together, we were able to perform it successfully at SOTA Concert Hall for "Summer Recital" hosted by Melodious Piano Studio in early November.

Seeing the piece come together on stage was incredibly rewarding. What started as an incomplete score turned into a fully realized duet—and a meaningful performance moment for the student.


You've Got A Friend in Me easy primo



You've Got A Friend in Me secondo 


You've Got A Friend In Me Easy Piano with duet part full score

Download You've Got A Friend in Me easy piano primo part 


Golden Big Notes Easy Piano Sheet pdf

Here is “Golden” from K-Pop Demon Hunters—a Big Notes, easy piano sheet specially arranged for initial-grade learners. I’ve rewritten it in the simplest form possible to help beginners play confidently and enjoy the music right away.



Golden big notes easy 1-2


Golden big notes easy 2-2

Download Golden Big Notes easy for initial grade pdf

Your Idol Big Notes Easy Piano Sheet

I came back from the UK in August and soon after started working in Singapore as a full-time piano teacher at Melodious Piano Studio. Today marks my third month of teaching here, and the experience has been wonderful so far. I really love the reward system, and I appreciate how the studio takes good care of its teachers—the support and benefits make a big difference. Feeling grateful and excited to keep growing with Melodious Piano Studio! 

Here is one of the simplified piano sheets I made for my students—everyone is absolutely crazy about it! “Your Idol” from K-Pop Demon Hunters. This is a really easy version, complete with letter names. I find this especially helpful for beginners because it lets them learn quickly without feeling pressured to read every note on their own. Plus, it’s just an extra piece for them to enjoy!



First piano sheet arranged for Initial - grade 1 standard. Download Your Idol BIG NOTES easy - pdf

Your Idol BIG NOTES easy 1-3

Your Idol BIG NOTES easy 2-3

Your Idol BIG NOTES easy 3-3

And also arranged another version for students about grade 1-2 

Download Your Idol easy - pdf 

Your Idol easy 1-3


Your Idol easy 2-3


Your Idol easy 3-3



Wednesday, July 2, 2025

Summer Time

 This is my 3rd summer in UK, we have reached 31ºC today, it is so hot, you will be surprised that I can survive 37º-40ºC in Malaysia, what is 31ºC to me? 

Priory Garden


It makes me pondering about this too. In Malaysia, we have air-condition everywhere we go, we have cars, we have air-conditioned buses, we have air-conditioned houses, the least we will have fan in every room, you don't have air-conditioned room most of everywhere, electric and gas bills are very expensive, you don't have fan, you don't usually find a fan.... as there are only a few days in UK that are in fact HOT, most of the time are quite cooling and cold. 

In Green Street Green when I was walking along the roadside on the way home from Ashley Garden at about 7:30pm


Yes, I felt it in my first and second year, perhaps because I have air-conditioned room when I was in Ingram Avenue the second year, I didn't feel the heat and ever thought of needing a fan. Not these few days, I hardly fall asleep, I need to fan myself to sleep, and it took really really long time. I miss cold days now. 

Enjoying ice-cream, burnt cheese cake and mango pudding in Auntie Laura house at about 9pm


I love these mini daisies.

Saturday, June 28, 2025

Only Time Violin Sheet


Only time violin sheet in Eb major

Only time violin sheet in Eb major





Only time violin sheet in D major 

Only time violin sheet in D major 



Only Time violin duet in D major

Only time violin duet in D major







Wednesday, November 6, 2024

Kiss The Rain Violin Sheet

 This will be the second violin piece requested by Terrence. 

Kiss the rain violin sheet in G major

Kiss the rain in G major


Kiss the rain violin sheet in A major
Kiss the rain violin sheet in A major

Kiss the rain violin sheet in D major

Kiss the rain violin sheet in D major







Only Time

 That's a violin piece my first UK violin student asking for. 

Original key is Eb major, which of course is impossible for a violin beginner to play this key, hence I modulated to D major, and written in two different octave, allowing others to have a choice of playing in D string or A string. 

Since this piece of music is quite monotonous in nature, best is to play duet with your violin teacher, provide a Only Time violin duet music sheet in D major.

Only Time in Eb major on A & E strings


Only Time in Eb major on G, D & A strings


Only Time in D major on G, D & A strings

Only Time in D major on A & E strings





Only Time in D major Violin Duet

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